Of Memory, Space, and Place
Hollace M. Metzger is an architect, visual artist, and poet. Growing up in the American mid-West, Metzger wasn’t particularly rooted. Her interest in travel developed after accompanying her mother on several trips to various countries in the Caribbean. Later, she earned a degree in architecture from the University of Kentucky, where she experienced a different style of American culture in the South, and where she also received the opportunity to travel abroad to study architecture in Venice. From Italy, to New York, and on to most countries in Western Europe, Metzger’s life became about the expression of mobility.
Her poetry and artwork frames that momentum, drawing listeners and viewers worldwide. As a way of honoring a particular time and space, each of Metzger’s artistic expressions is also unique and site-specific. Her poetry collections reveal that intimacy, yet Metzger’s words and their rhythm remain accessible, her imagery captivatingly familiar. She evokes a rare kindness and an inspiration to honor our private and public spaces.
Within an empty space, Metzger discovers what needs to be there artistically. You might say that she can sense the same about the human spirit and the need for art in our communities. Where that empty space is growing, Metzger already plans to eventually fill it with community-oriented, art based idea centers.
In Transcriptions of Time (2009), you will find her interest in the effects of an environment on people. She enunciates the pulse of those around her, of the passing scenery, the jostling of life, and others with their own artistic creations. She is all encompassing in her desire to blend the fields of poetry, art, architecture, and psychology. Since 2007, when she created her first book, Observing the Labyrinth from Heaven, Metzger has collaborated with a wide array of musicians, from djs to a symphony. She has undergone an artistic debut that includes recording an audio book. TranSYNphony (2010) includes more than six hours of audio from the poetry collections. The book Why the WilloW (2010) is Metzger’s latest poetry publication and includes 64 of her own black-and-white photographs. Metzger recently opened the architectural venture MiDEA Studio and is currently developing projects for European design competitions.
—Shana Thornton
Follow Hollace online
www.hollacemetzger.com
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Here is the Music Player. You need to installl flash player to show this cool thing!
Collaboration credits :: Bottled Soul – dubbed to “Music for Galleries”, composed for Vernissage Hollace M. Metzger (Paris 2009), by Norman Fairbanks (Germany, 2008), Last Five Dollars – music by Torus Biglane, for the Ballet National de Marseille (Belgium, 2009), My World Exists – mixed by Hendrik Vogel (Germany, 2009), Return Ticket – music by Tiago Benzinho (Portugal, 2008), Underneath Parisian Streets – music by Tiago Benzinho (Portugal, 2007), Why the Willow – a vocal collaboration with Laurent Plazannet (Paris, 2010).
Win a signed copy of Why the WilloW!
In June and July, purchase any one of Hollace’s poetry collections or make a donation to HCE and register to win the Postcards from Paris contest. Ten randomly-selected entrants will receive a personally written postcard from Ms. Metzger, posted from Paris, while one lucky winner will receive a postcard, signed photographic print from her recent exhibition, and a signed copy of her latest book, Why the WilloW. To enter, email your purchase receipt or HCE donation confirmation to office@hollacemetzger.com with “Her Circle Contest” in the subject line. complete contest details






Ms Metzger is a truly wonderful and enlightened poet/muse. Her photography is a visual documentary of beautiful architecture and places. Her voice is the most beautiful sound I have ever heard. Thank you “One World cafe” for the chance to listen to her wise and wonderful words of inspiration and beauty.
I’m so happy Hollace chose to share all this with us. Beautiful performance. I can’t stop listening to “Underneath Parisian Streets”. Hollace knows why.
So pleased that Hollace has graced us with such a mesmerizing performance. Hope you all enjoy!