Welcome to this week’s featured writing prompt. Enjoy! and don’t forget to post your finished work in the comments section (optional).

Welcome to this week’s featured writing prompt. Enjoy! and don’t forget to post your finished work in the comments section (optional).

Misty Ericson holds a BA in English & Comparative Literature from San Jose State University, California, and an MA History of Art from University of Leeds, UK. In addition to her work on HerCircleEzine.com, which she founded in 2005, Misty enjoys painting in her studio and restoring her home in the English countryside.

February 1, 2012 By Lauren Sardi
Lauren Sardi interviews Patricia Leavy, feminist sociology professor and author. Leavy has become known for advocating innovative and artful approaches to conducting social research as a means of getting at the complexity of lived experience and linking the “inner worlds” of women to the social contexts in which they live.

October 17, 2011 By Caroline Palmer
Caroline Palmer looks at the motivations of Minneapolis-based choreographer Ananya Chatterjea and the work of Ananya Dance Theatre (ADT).

May 11, 2011 By Sarah Marilungo
BRUSSELS – Through July 21st, La Centrale Électrique of Brussels exhibits the first monographic exhibition in Belgium of the controversial and surprising African artist Jane Alexander.
UC Berkeley is running an exhibit Women at Cal, 1910-1915: When California Passed the Woman Suffrage Amendment, which examines the status of women on campus in this critical period.
The Los Angeles County Museum of Art (LACMA) and Museo de Arte Moderno (MAM) presents In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States. Spanning over four decades, the exhibition features about 175 works by forty-seven extraordinary artists.

February 1, 2012 fromOne World Cafe
In this podcast, Thaisa Frank reads from her novel Heidegger’s Glasses and discusses how “her intuition led her to write about circumstances that were grounded in factual events, but of which she had no knowledge at the time.”

April 22, 2011 By Frauke Ehlers from Femmage
“Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out.”–Leo Tolstoy, What is Art?, 1898. In the mid-20th century, art was dominated by a rather formal language of abstraction. Minimalism, Formalism & Conceptualism made up the artistic mainstream. To call an art work decorative was to deride it.
February 7, 2012 By Traci Brimhall from The Writer's Life
February 6, 2012 By Jyl Lynn Felman from The Writer's Life
February 3, 2012 By Terri Giuliano Long from The Writer's Life
February 2, 2012 By Kate Robinson from InContext
Mule & Pear, New Poems by Rachel Eliza Griffiths.
Listen to Rachel's One World Café podcast here.
Patricia Leavy: Feminist Author Blurs the Arts and Sciences: Lauren Sardi interviews Patricia Leavy, feminist sociol...
Squash Pie: a short story (part 1): Part 1 of "Squash Pie," the story that is the culminati...
American Stereotypes in Film & Television: the Global Influence on Race: As a second part to her feature on The Help, Mayra Davi...
Young Jean Lee: Untitled Feminist Show: Lauren experiences nudist performance for the first tim...
Alice Walker and Zora Neale Hurston: A Re-Discovery that Helped Preserve African-American Culture:
by Shana Thornton
Sometimes friendships just h... Copyright © 2012 Institute of Arts and Social Engagement :: · Elle Theme :: Genesis Framework by StudioPress :: Log in
It never failed to surprise her when new places looked like the old ones. Strip malls filled with the same chain restaurants and department stores, landscaping cultivated with an eye for the bland and placeless. The world was a blur of identical billboards and drive-thrus. She found you really needed to look to find the heart of a city. She became an anthropologist of the local, studying the quietly-kept souls of places. Fortunately, participant-observation was a viable option for fieldwork, because she couldn’t just sit on the sidelines while the locals came to play, came out to embody their home.