Metta Sáma reviews Marie-Elizabeth Mali’s “Steady, My Gaze”: “Mali’s poems are deceitful: sizzling and quiet, brash and compassionate. Mali’s debut is a delight because it is more curious than afraid, more ‘twists and turns’ and seeking than absolute and all-knowing.”
LouAnn Muhm reviews Deborah Digges’ final poetry collection, The Wind Blows Through the Doors of My Heart. Muhm writes in her review: “Writing a review of a posthumous collection from a well-loved poet is a daunting task. What is there to say that is not elegiac praise? How to know which poems are as the poet conceived them, and which are constructed from unfinished notes and drafts? There is an unevenness in this collection. Is it due to the untimely death of the poet before the collection was finished? Could it be showing the poet’ s descent toward her apparent suicide? There is no way to know.” Read more from this review.
Val B. Russell reviews a new translation of Anna Swir’s poetry collection, Building the Barricade and other Poems (Calypso Editions, 2011). In the review, Russell writes: “Amid the blood and guts rebellion of every war against oppression that there has ever been, you will always find the courage and devotion of the poet. In as much as an historian records the factual account of the circumstances of the ravages of war, the poet internalizes the individual experience of armed conflict, thus preserving the humanity lost in the debris of brutality. It was in such an atmosphere of upheaval and suffering that Polish poet Anna Swir collected her own images.” Read more about this courageous poet and her collection.
Money for Sunsets Steel Toe Books, 2010 Years ago I read Eve Alexandra’s The Drowned Girl and felt powerfully, utterly right about the prose poem: here is a live site of fragmentation and fracture, an active agent of lyric and syntactic invention. The prose poem allows for a poem to be disassociative and coherent, to [...]
Main Street Rag, 2007 We’re often trained to think of titles as the entryway to the poem; after all, it’s the first thing the eyes (are supposed to) land on when first encountering a poem. Some of us (renegades that we are) choose to save the poem for last or to meet it somewhere in [...]
Review by Leslie Hayertz Number 1: The Seven Kitchens Press ReBound Series, 2009 I first reviewed Notes from The Red Zone, Christina Pacosz’s gem of a chapbook from Seal Press, in the Fall 1983 issue of Calyx. Now, almost twenty-seven years later, I revisit these eight poems, pleased that they have found new life on [...]
Review by Georgia Ann Banks-Martin 2nd Edition edited by Lisa C. Moore RedBone Press, 2009 The True Self Discovered and The World Confronted In 1996 Lisa C. Moore, the founder of Red Bone Press, published a collection of stories called Does Your Mama Know? : An Anthology of Black Lesbian Coming Out Stories. The stories [...]
Finishing Line Press, 2010 Reviewed by Georgia Ann Banks-Martin Cynthia Reeser is a poet, visual artist, musician, and the Founding Editor of Prick of the Spindle. Her new collection of poems, Light and Trials of Light is a chapbook published by Finishing Line Press earlier this year. The collection is comprised of twenty poems which [...]
Closed Histories Noemi Press, 2008 Disposition for Shininess (not pictured) Factory Hollow Press, 2008 Arisa White’s Disposition for Shininess and Sara Veglahn’s Closed Histories are two incredibly different chapbooks from two seemingly (on the page) different writers. While White’s poetics veer towards the lyric narrative, Veglahn’s work is determinedly lyric, with narratives always harkening in [...]
Finishing Line Press, 2009 Review by Jamie Elizabeth Marko The question of identity is a constant struggle for most Americans. We boldly declare our heritage, if we are lucky enough to know it, assuming that our ancestral homes innately impart some deeper meaning to our sense of self. What does it mean to be Irish? [...]
Her Circle speaks with Dawn Tripp about her novel Game of Secrets, a story that weaves the past and present, locating the patterns that make us human, no matter the turns of the generations, and the different and intricate ways in which we keep our secrets.
Cheryl Yanek shares her on-going story of participation in the Occupy Wall Street Movement in New York City.
Heather Child looks at roles for female characters in Disney-Pixar’s latest creations and asks, “Why are films with their feet firmly in the twenty-first century still struggling with something as basic as gender representation?
Lauren Sardi interviews Patricia Leavy, feminist sociology professor and author. Leavy has become known for advocating innovative and artful approaches to conducting social research as a means of getting at the complexity of lived experience and linking the “inner worlds” of women to the social contexts in which they live.
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In this podcast, cultural anthropologist Gina Athena Ulysse read from her poetry and discusses the narratives of her homeland Haiti, and how she strives to develop new stories in spoken word and performance poetry.
Marina DelVecchio brings up an older text, published in 1971, that introduces readers to ten obscure and famous women circa the 1800′s. Eve Merriam’s Growing Up Female in America: Ten Lives depicts the authentic first-person voices of women who "found the will to trudge forward into colleges and acquire degrees that went beyond ‘MPM — Mistress of Pudding Making — and RW — Respectable Wife’" (13).
Maya Angelou’s Empowered …: Marina DelVecchio discusses the empowered nature of Maya Angelou's girlhood... 
Alice Walker and Zora Nea…:
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Susan B. Anthony and Eliz…:
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The Help: Perpetuating th…: Mayra David writes about The Help and the history of the Mammy stereotype i... 
Squash Pie: a short story…: Part 1 of "Squash Pie," the story that is the culmination of Melissa Corlis... 
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